Tuesday, October 1, 2013

Homeland


 

Since 9/11 there has been a burgeoning new category of entertainment programming dealing with the war on terrorism and the civilized world’s way of containing and preventing  another  catastrophe of that magnitude.  

There has been a plethora of titles both in film and television dealing with these issues: “Zero Dark Thirty,” “The Hurt Locker,” “The Kingdom,” “24,” “MI-5,”etc. But the best of these offerings is Showtime’s “Homeland,” which had its season premiere  on Sunday. The taut writing, dramatic story lines and characterization has made this show the  apotheosis  of the genre.

For the uninitiated, “Homeland” revolves around the lives of two star-crossed lovers. One a bi-polar, CIA Analyst, Carrie Mathison; the other, Nicholas Brody, a Marine turned  Islamic extremist while in captivity in Syria where  he sees first hand the atrocities perpetrated by his own country. This is the Stockholm Syndrome to the max.  Upon his  return home he is feted as a hero. The political establishment seizing on an opportunity to create a new star helps get him  elected to  a seat in the U.S. Congress where, unbeknownst to them, he continues to plot against his homeland. Or, has he seen the light, after being exposed and the requisite amount of threats, as his lover contends?

In last year’s season ending cliffhanger a bomb is detonated in front of a CIA facility killing more than 200 people. The bomb is planted in a car. The Congressman’s car. Was he complicit in the attack? Did he turn back to the dark side?  Don’t think we’ll know until the season plays out. But this psycho drama is most compelling.

I’m not sure what makes it so but I think (and I’m not a psychiatrist; never even have played one on television) it has something to do with our collective need to know that at any given time our people are out there keeping us safe 24/7 to best of their ability. Do we find solace in their efforts; or is it the revenge factor; does it help to provide some measure of closure for all our lost loved ones?

In episode one of this season, to atone for the attack on the CIA facility, six complicit bad guys are taken down on three different continents in a razor sharp operation.

Is it life imitating art or art imitating life? The line is blurred. And I think that’s what makes shows like “Homeland” so thought provoking and entertaining.

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