When Sid Caesar’s death was announced last week, I was sorry
to hear of the passing of a real TV pioneer – a term I reserve for a precious
few. Sid Caesar and his “Your Show of Shows” was a little bit before my time.
But in countless clips and testimonials
over the years I’ve become familiar with the great contribution he made to not only the
fledgling medium of television but also
to television as hardware. He was one of the few who made owning a television
set as important as Steve Jobs made owning a personal computer decades later.
According to an article in the New York Times when Caesar’s
show hit the airwaves in 1950 only 10 percent of the population owned a
set. A decade later that figure had swelled
to 90 percent , largely to people like Caesar and the transmogrified
vaudevillians who became the first TV personalities.
He was one of the first performers to introduce sketch
comedy and recurring characters to the new format. He contorted his face in grotesque
ways and used other physical devices to
garner huge laughs from live audiences, not sound tracks. And not only that. His eye for creative writing talent gave
young writers like Neil Simon, Woody Allen and Mel Brooks an opportunity to hone their comedic genius.
Sid Caesar was the inspiration for generations of comedians
that would follow. Billy Crystal spoke reverently about
Caesar and the profound effect he had not only on him but many of his contemporaries. Caesar also germinated the ideas that would
later launch the future programming formats of Carl Reiner
(the Dick Van Dyke Show) and Larry Gelbart (Mash).
For me, though, my favorite remembrance of Sid Caesar is the
character he played in It’s a Mad, Mad,
Mad, Mad World. In the film’s star-studded
cast Caesar plays the even tempered husband of Edie Adams, who tries to find an
equitable solution for a host of treasure seekers all intent on
reaching the booty first, until he too, succumbs to the avarice.
It’s too bad that his career flickered instead of flamed.
For there are several generations who have grown up not appreciating Caesar’s significant contribution to popular culture and TV set sales.
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